An recent initialism came to light a couple of months after the start of the intensive bombing of Gaza by Israel. Referred to as WCNSF, it stands for “Injured child with no living relatives”. This acronym is found only in Gaza, per insights from doctors like child health specialists. Normally, it is rare for doctors to attend to a child who has seen the death of their whole family. Yet, there has been absolutely nothing ordinary about the devastating conflict in Gaza, where entire family lineages have been obliterated and the number of child amputees is greater than that of any other place in the world. Nothing ordinary about many doctors arriving back from a devastated terrain with testimonies of children being deliberately targeted.
Gaza remains an utter catastrophe. Critical healthcare resources are being blocked those in need, and groups like Amnesty International assert that atrocities are continuing. Authorities has denied these accusations, consistent with how it disavows each claim it is accused of. But while traumatised orphans are now enduring frigid conditions in makeshift tent camps, there is a piece of uplifting information: nothing is going to stop the Eurovision from continuing with its professed goal of “unity and cultural exchange.” Eurovision will continue to roll out a welcoming platform for Israel, although a number of European countries have now pulled out in protest. And this, it seems, is what global togetherness looks like.
Historically, Eurovision excluded Russia from taking part in 2022 due to the “grave situation in Ukraine”. Yet the conflict in Gaza is completely different.
Forget the fact that Israel was accused of questionable voting tactics last year in what seems to have been an bid to politicise Eurovision. Forget the fact that a toddler was reportedly killed in Gaza recently. Forget the fact that attacks by settlers and coerced removal in the West Bank have surged. Forget the fact that foreign reporters are still blocked from independent reporting in Gaza. None of this, it would seem, should be permitted to obstruct of Eurovision’s much-touted ethos of unity.
Eurovision reaches its seventieth anniversary next year – nearly twice the average life expectancy of someone in Gaza at present. The event will proceed, but it will never be able to restore the camp joy it once represented. A contest that initially championed harmony has devolved into a blatant mechanism to provide a cultural veneer for conflict.
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